Voice in Chamber Music
Aria and Parody
Soprano, Bb clarinet, violoncello, and piano / This short suite is taken from a dance work created for Linda Rappaport and House on Fire entitled "Eyeless Tears in a Universe of Ether." The texts are by Robert Epstein. Whereas the surrealistic texts are treated dramatically in the Aria, the Parody is playful and irreverent and the wordless soprano is treated as another instrument.
The sound file has a MIDI realization of the aria followed by a performance of the Parody by Phyllis Fay Farmer, soprano, Martha Wade, piano, Richard Goldsmith, clarinet, and Nancy Ives, cello.
Duration: 6 minutes
Soprano (or mezzo) and piano / This song cycle describes the course of a woman's romance, from first stirrings of love to the dissolution of the relationship and hope of new loves to come. It all takes place in Pittsburgh, where the Monongahela and Allegheny Rivers meet. Lyrics are by Leah Maddrie.
The performance is by soprano Diana Solomon-Glover accompanied by Christopher Johnson.
Duration: 15 minutes
Tenor, oboe, and English horn / These three songs use as their lyrics poems from James Joyce's Chamber Music, "Welladay," "O Cool is the Vallery," and "Bright Caps and Streamers." The three voices are treated equally and contrapuntally.
This performance of the first two songs is by Dennis Altizer, tenor, Kurt Studier, oboe, and Lucy Beth Kruger, English horn.
Duration: 5 minutes
Mezzo-soprano and piano / These four short songs were written on poems by Emily Hastings, herself a wonderful mezzo, who can be heard in excerpts from "The Girl on the Via Flaminia" the on the Chorus and Opera page. They speak of one woman's passionate love of another. The performance is by Phyllis Fay Farmer accompanied by Martha Wade.
Duration: 10 minutes